Monday, October 8, 2012

October 5: Ultimates


Temperatures are dropping and so are our adrenaline levels.  One night it hit 34ยบ, while daytime temperatures could still hover in the 80s.  Welcome to the desert.  We have no tent heater, but did devise some ingenious ways to fight the night cold.  We have those "space age" emergency blankets you can carry in your pocket.  We place them between the tent and the cape and get some extra thermal benefit.  A couple of nights in Bluff City actually produced condensation on the tent.

We decided to make one last grand voyage into Grand Gulch via what is called the "Government Trail."  As you might imagine, this is not a popular trailhead in Utah, too socialistic.  It was originally built by the C.C.C. back in the 30s, but hardly maintained since.  It is a 2.5 mile hike across the mesa top to get to the top of Grand Gulch.  There was actually a side canyon (Polly's Canyon) on our right.


And there's the Bear's Ears.


We thought that the hike would be easy, until we returned back.  What we thought would be a 9-mile hike turned out to be a tedious 14-mile hike--according to my GPS, which was keeping track of our progress.

We could not afford to make a mistake this time because the days were getting much shorter.  We got to the top of Grand Gulch in the first hour (the trail there was actually a little over 3 miles).  Good.  There was one of the few signs in Grand Gulch, proudly letting us know that we were in the Grand Gulch Primitive Area.


We suspected as much.

We stopped to admire the view into the big canyon.


It's not as far down as the drop off Dead Horse Point, but then we never planned to climb down from Dead Horse Point.  I am not surprised by what a big river like the Colorado or San Juan can do in terms of carving out canyons.  The real surprise is what an intermittent stream can do.  I would compare it to the tortoise and hare parable, except there are flash floods to consider.  That would be comparable to the tortoise on occasional steroids.

Anyway, Basketmakers and their Anasazi cousins were living in these canyons for centuries.  For some reason.  Perhaps they were farming the mesa tops.  Perhaps they just liked the neighborhood.  Not too many neighbors.  Utah is still like that.

We stopped at the sign and had lunch.


I continue to be amazed that Janet seems to be enjoying the challenge and foolishly trusting my planning.


As we eat, we gazed across the canyon at a massive rincon, called Polly's Island, and spotted a pristine looking Anasazi (late Pueblo III) ruin directly opposite.


Pristine?  Heliocopter pothunters have probably looted it long ago.  We speculated on how anyone would enter it (a rincon is totally isolated on four sides by the canyon), and decided we had more urgent business to think about.

Our goal was a well know Basketmaker II pictograph called the "Big Man Panel."  It was a mile and a half upstream.  Easy, right?

We would have been in trouble had we not been passed by a young couple on the way down the south side of the canyon.  As we were picking our way over boulders and crossing ledges, we stopped to let them pass.  A few jokes later, and we were explaining our destination to them.  They had been there last year; could not find it until a guide with another party showed them how to reach it.  Its way up high and requires finding some route up steep slickrock, if you can find a trail in the first place and know where to look.  At the time, I thought technology was on my side--I had GPS coordinates for the Big Man Panel, thanks to an illicit internet source that I will not reveal.

As soon as we got down to the bottom of the gulch, we lost the trail.  Fortunately, our two friends were also looking for a way through the thickets and found a possible path.  It led to a small campsite that we knew was at the right location.  We remembered the site, just in case we got caught in darkness.  I had my ultraviolet light water purification system with us, as well as chlorine dioxide drops and a mechanical filter, if needed.

This is the time to say something about hiking in Grand Gulch.  It is a little disappointing, given its importance.  Yes, there are ruins and rock art almost every quarter mile or less.  But you cannot see them.  The tamarisk grows about 8-10 tall everywhere


 and obscures a view of anything other than the tops of the canyon walls.  This is not the canyon's fault.  Some idiot brought tamarisk into the American West a century ago and now this foreigner is taking over the river beds.

Even worse, tamarisk is a woody, dense shrub that prevents any attempt at bushwhacking through it.  Hikers have to find a way around it.  The BLM has no intention of cutting it down.  It seriously detracts from the adventure.

We fought our way up canyon, looking for clues as to where a trail might be.


We spotted a rock art panel that was not mentioned in any of my sources.


Cool.  Seemed to us to be obviously Basketmaker II in origins.


Maleness was proudly on display.


(By the way, a ranger at Mesa Verde told us that in the 1920s the National Park Service destroyed petroglyphs after matrons at the time protested their obscene character.  "That was not a wise thing to do," he understated.)

Happily, the GPS guided us to a granary that was near the pictograph we sought.


Soon we came to a huge rock face that we knew had to be the site.


The panel was at the base of the large alcove, several ledges up.


It took us quite a while to figure out a path up,


and we would not have done that if it had not been for the couple we met coming down.  I am not sure that Janet was thrilled at having to climb up a steep rock face about 100 feet up, after hiking all that way.


But she did, and she made it down OK too.



The panel itself was small, even intimate.


Why was it called the Big Man Panel


when the female was just as large as the male?


She was more elaborately costumed than he


and she looked a bit more contented.


By contrast, the male looked a bit sad.


Perhaps he wished he really were a Big Man.


(By the way, this is not little boy humor;  male genitalia are one of the characteristic features of Basketmaker rock art--perhaps having some religious significance in that culture.  Pueblo origin stories stress the sacredness of procreative impulses, as well as the social importance of learning how to control them properly.  We, who take cultural survival for granted, snicker.)  And, of course, there were the usual handprints.


Signatures perhaps.

On the way back, we were momentarily confused about where the government trail leading out of the canyon was located.  From high on the ledge overlooking us,


our young couple  called down to us and guided us to the upward path.

Despite being exhausted, we chatted with them back at the trailhead.  They come down from Salt Lake City every year to vacation on Cedar Mesa, just like the elderly couple we met at the Natural Bridges campground.  They too were looking for rock art panels in Grand Gulch.  We exchanged observations about how unprepared some folk are who venture into these canyons.  Just days before, hikers had to be rescued after spending the night alone in the canyons of Natural Bridges.

It was already getting dark when we said goodbye to our friends.  They had been surprised to meet seniors from Pennsylvania who wanted to undertake such a venture.  We were surprised to have met such friends along they way.  They were the only people we had met since the two lost hikers days before in Collins Canyon.  We would not have been successful if they had not arrived when we did and passed us going down.

We drove back in the dark.  But now I had complete confidence in the Jeep to take us over the road away.  It was too dark to shower this time.  I kept thinking about what that biker said to us in Bluff City.  It was time to return to Pennsylvania.




October 4: Penultimate

We had big plans for Janet's birthday today.  We decided to drive 60 miles to either Bluff or Monticello to buy some beer to celebrate.  But lo and behold, the Sinclair gas station outside the Blanding city limits sold beer, and good beer at that.  I bought some Wasatch Evolution Ale, brewed to protest Utah's attempt to impose the teaching of Intelligent Design in public schools.  I also bought some Wasatch Polygamy Porter, to be drunk when one is just not enough.

We visited the only grocery store in Blanding and were ready to return to Cedar Mesa and party.  It would be macaroni and cheese with Kielbasa tonight.

Most importantly, we would spend the day reading.  No hiking.  Our legs celebrated.  We miss family.

No photos of the day's activities.

October 3: Down Canyon


Before we left Utah, Janet and I wanted to make a couple of day trips into Grand Gulch--at least to satisfy our curiosity.  We had given up on the idea of overnight backpacking, even though we were equipped to do this.  A couple close to our age at the campground was in fact departing for a five-day backpack in Grand Gulch.  But Janet's back was giving her trouble, and there was no way I could carry water, camping gear, and supplies for both of us.  Carrying 3 gallons of water plus food, first aid, flashlights, rain gear, etc. for a day trip was heavy enough for me.  I guess we were getting soft.

Anyway, today we set out for Collins Canyon Trailhead, confident that we knew the route down into Grand Gulch (and our way up if we could locate the correct canyon exit).  It took us an hour to get to the trailhead (it was not close to Natural Bridges), and down we went once again.


We knew when we entered Grand Gulch that we needed to head right (south).


We had hoped to make it to a special petroglyph panel down canyon from Collins, but it was over four miles one-way down Grand Gulch, and we did not know if we could find our way there quickly enough.  In a winding canyon like this one, a GPS is only moderately helpful, and so we kept a close eye on landmarks to help us find the trail back.  This rock sitting up on a ledge guarding one of the crucial turns we called Humpty Dumpty.


I used these sorts of photos to recall trail markers--just in case.

We quickly looked at site 27 from yesterday and realized that we could see many more figures now that the sun was shining on the panel.  We now saw partially obscured anthropomorphs


that had earlier just looked like random markings.


This figure may have been a female.We had not even noticed this strange three-toed coyote-sheep image or the chorus line of stick figures dancing off-stage next to it.


We had not even noticed this strange three-toes coyote-sheep image or the chorus line of stick figures dancng off-stage next to it.


I was searching for another unusual panel of anthropomorphs that I had seen in specialty books.  We searched for about an hour before  we spotted a small trail disappearing up a slope of cacti.  High on a ledge, about 50 feet above us were the dancers holding hands that I was looking for.


If these are Basketmaker images, they are totally unlike the images at Butler Wash.


I contented myself with taking telephoto shots of the figures,


mostly because we still had a long way to go and could not afford the time for me to climb.  There were additional figures nearby, the most important one, I believe, being the guy with the bird head.


This is a quite common image along the San Juan River drainage.

On we drudged, fighting brush, sand, slickrock, and losing the trail often.  The BLM makes no attempt to create a trail and seldom marks it with cairns.  So a hiker just has to hunt for footprints or breaks in the tall brush growing along the creek bottom.  Following the creek bed is not always possible or advisable.  By the time we had gone a couple of miles further down Grand Gulch our legs were getting tired.  Here is Janet resting after climbing down some steep slickrock that is part of the "trail."


Thank goodness we had lots of water and beef jerky (the pepper-spiced kind is best).  And the more water we drank, the less I had to carry back up.  Or is that true?

We had given up finding the next rock art panel and decided that 3:00 p.m. had to be our turn around time, when we turned the last switchback in the canyon for the day.  There was the "Hands" panel that I was looking for.


To me, it was not as impressive as the Escalante 100 hands panel; but, hey, we worked even harder for this one and that made it just as sweet.  It gave Janet a great chance to rest.


Each hand seemed to say, "I am here.  Look at me."


And underneath the hands was another line of dancers, this time in the style we saw at Shay Canyon.  But these were pictographs, not petroglyphs.


It turns out that panels composed of hundreds of handprints are very common in the northern San Juan region.  There is a similar panel at Cave Spring in Canyonlands National Park, which we saw last summer.  To my knowledge, no one has yet tried to explain why the Basketmakers and/or Anasazi felt the need to record hundreds of handprints.  Were these like signatures, marking "deposits" at granaries?  Were they an expression of personal communion with the canyons themselves.  Or were they just amusements?  We will never know until the study of rock art links images more carefully to geological, economic, and domestic settings.

We could not make it all the way down to the site I had hoped to visit.  As it was, we ended up hiking 9-10 miles in and out of Grand Gulch.  I was worried about the time.  I did not want to climb out of Collins Canyon with a flashlight.  Fortunately, we found our way out quickly, and I was able to drive the road back without using my headlights.


It was light enough when we got to our campsite for us both to take a warm shower.  Five gallons of water is sufficient for two people, when it needs to be.  We got the sand and sweat off; opened a can of Hormel Homestyle Chili; finished our spinach; said goodnight.

October 2: Collins is a Tall Order


At 9:00 a.m. we arrived at Natural Bridges National Monument to wait for the first campers to depart the campground.  It's first come first serve.  Campers on the prowl can make coyotes look tame.

As we were quickly pulling into site number 2, the elderly couple across the way waved and shouted something at us.  They were leaving shortly and they had the best campsite in the campground.  (I will not tell you the site number.)  It was.  The site was huge, amidst ancient Utah Junipers,


and no other campers (or RV's) could be seen.


It had an unobstructed view of the canyons below us (White Canyon) and the mesas behind them, including our beloved Bear's Ears.



Before he left, the gentleman led me down a path below the tent site and over a fence; and there, isolated from public view was a tree and lined stone slabs that formed an outdoor shower!


Yes, we had a solar shower bag.  And now we were the only hikers on Cedar Mesa with our own private--warm--shower.  It really was a blessing, biker man.  Every meal I looked at another deceased Juniper and smiled--our own totem pole.


It was too late in the day for us to take a big hike into Grand Gulch, but we decided to seek out the Collins Spring Trailhead that enters Grand Gulch close to the San Juan River.  I wanted to see how difficult the trail would be--it was supposed to be less difficult than others.

That afternoon we drove the six-mile road to the trailhead.


Same story about what is called a road,



but at least there was no water.  The two-mile hiker's trail through the canyon was challenging enough.


We negotiated narrow rock piles going down; bypassed several "dryfalls" by means of narrow ledges;


and drudged up and down sandy dunes.


We discovered that we were doing very well if we could cover a mile in 30 minutes or close to it.  Not like the Muhlenberg Township jogging path back home.  I discovered that carrying several gallons of water and other supplies on your back can make those sand dunes tedious indeed; and rock overhangs worth paying attention to.

About 15 minutes down canyon we entered through a cattle gate.  Yes, these paths are actually used by cowboys herding their cattle back up canyon.  Past the gate we came to an authentic cowboy camp.


Well, at least we knew where we could hang out if we got stuck in the canyon over night.


Lots of really good stuff there.


To my delight, the dutch oven was clearly from Batavia, Illinois.


Go, Illini.

Not much time left for rock art hunting.  But I knew that one site was near Collins Canyon.  Kenneth Castleton had called it site 27 in his authoritative survey of Utah rock art sites.  Of course, he did not say where it was; it was in a "rincon" that required a mile hike off the main trail in Grand Gulch.

Climbing over spiny pear cactus and thrashing our way through sagebrush and tamarisk, we spotted a small trail of footprints.  Diligence paid off as we came across some Basketmaker pictographs.


These were animal forms rather than anthropomorphs.  A nice bird


and quadruped in red and white


greeted us.

We could explore no longer.  We had to give ourselves time to climb out of Grand Gulch.  We were tired.

On the way out, we met two male backpackers coming down Collins Canyon.  They had entered before us, but got lost following dead-end trails into false canyons.  I assured them that they had arrived at Grand Gulch and wished them well finding a campsite for the night.

On the way out, we stopped at the cowboy camp and marveled.  Good to know we were on the right path.